Auxiliary tools expand the possibilities by enhancing artistic techniques and pictorial effects, offering limitless possibilities for creativity. Additives, texture pastes, mediums and varnishes allow you to modify the characteristics of acrylic paints in accordance with the creative idea.

ACRYLIC AUXILIARIES

Mediums are means that give additional properties to acrylic paints. Pastes and gels allow you to create various textures, reliefs, 3d effects. The primers provide the best connection of the base with the coloгrful layer and an ideal surface for painting. Special additives can change the consistency or increase the drying time of the paint, preserving the basic properties of acrylic. Varnishes allow you to protect the finished work from environmental influences, preserving it for many years. Auxiliary means are of high quality, they can be mixed with all acrylic paints, as well as used with other types of paints of the Nevskaya Palitra, such as oil and PVA tempera.

texture paste matt DFRYRWYY
TEXTURE PASTE WITH SAND fddf
TEXTURE PASTE WITH GLASS BEADS
IMPASTO MEDIUM SFFSDSDGDG
FLUID ART MEDIUM dfddddHGJ
PEARL MEDIUM TEYTYIIYUI8879
Acrylic primer white FDGADG
Acrylic primer black DTEWER
Acrylic varnish MATT REWRW
Acrylic varnish GLOSS GFRYRT
Acrylic retarder GLOSS

GFFTY

Acrylic diluent MATT FSDFEWTTRET

TEXTURE PASTE

Thick paste, white in colour to create voluminous textures. When drying, it forms a very durable, opaque, indelible matte coating, ideal for applying paint. The paste can be applied to any surface suitable for acrylic painting, can be used independently, mixed with paint or painted after drying. The paste allows you to create various textures using a palette knife or other tools: small volumetric elements, relief backgrounds suitable for use with acrylic, oil and tempera paints. The paste mixes well with all acrylic paints in any ratio. Due to the presence of titanium whitewash in the composition, the colours mixed with the paste will be more opaque, and their shade will become lighter.

Available Sizes: jar 220 ml, 500 ml

texture paste with sand 

Thick elastic paste with the addition of natural white quartz sand is specially designed to create bright 3D effects when applied in thick layers or unique textures with the texture of "beach sand" when applied in a thin layer. When drying, it forms a very flexible, opaque or translucent coating: the thicker the layer you apply, the more opaque it becomes. It can be used independently, mixed with all colours of acrylic, or painted on top. It can be diluted and mixed with all mediums and pastes for acrylic, providing limitless possibilities in creating various textures. Creates an excellent textural base for acrylic, tempera and oil painting. It can be used as a base primer, providing a delicate medium-grained surface for painting or drawing. Also, it is perfect as a primer for dry materials such as pastels, charcoal, graphite, providing delicate shading. To use as a primer, apply a thin layer to the surface and let it dry. If necessary, it can be diluted with a small amount of water. For best results, use distilled water.

Available Sizes: jar 220 ml

texture paste with glass beads

Thick gel containing round beads made of transparent glass, 1 mm in diameter. Drying, it forms a transparent glossy coating with a scattering of beads similar to dew drops. When applied on its own, it dries until a wavy surface forms, creating the effect of bubbles. It can be used independently, mixed with acrylic paint or coated on top with acrylic, tempera and oil paints after complete drying. A particularly interesting effect is achieved when mixed with transparent acrylic colours: from below, the beads are illuminated by the light reflected from the base (the base should be white), and from above, the incident light passes inside the ball through the transparent paint, scattering slightly and illuminating the bead from the inside.

Available Sizes: jar 220 ml

Impasto Medium

MATT. Extends the viscosity and volume of acrylic paint, reduces gloss. It has a viscosity similar to that of thick acrylic paints, and is ideal for increasing volume, stretching colour and adjusting transparency without changing consistency. Designed for painting in the impasto technique. Increases the viscosity and density of the consistency of soft acrylic, giving a resemblance to oil paint. Increases transparency, stretch and colour depth without affecting the ability to form a durable coating when drying. Preserves adhesion, ensures the immutability and preservation of colour. Mixing with Impasto Medium gloss in a 50/50 ratio gives the colourful coating a soft satin sheen. When applied independently, a durable, transparent matt coating is formed. When applied with a very thick layer, it can become translucent. It can also be used as a collage and fixative.

GLOSS.

Extends the viscosity, volume and gloss of acrylic paint. It has a viscosity similar to that of thick acrylic paints, and is used to increase volume, stretch colour and adjust transparency. Ideal for painting in the impasto technique. Increases transparency, stretch and colour depth by helping to create subtle glazes with transparent colours. Increases the density of the consistency of soft acrylic, giving a resemblance to oil paint. Preserves adhesion, ensures the immutability and preservation of colour. Mixing with Impasto Medium matt in a 50/50 ratio gives the colourful coating a soft satin sheen. When applied independently, a durable, transparent matte coating is formed. When applied with a very thick layer, it can become translucent. It can be diluted with water or acrylic diluent to obtain a more liquid consistency of the medium, while the water should not be more than 25%. It can also be used as a collage glue and fixative. For best results, use distilled water.

Available Sizes: jar 220 ml

Fluid Art Medium, GLOSS 

The fluid consistency of the medium extends elasticity, enhances the brilliance of paints. Reduces viscosity, provides additional spreadability and the ability to self-leveling. This medium was specially designed to modify paints when pouring. It is used in the Acrylic Pouring Techniques technique, allowing you to create amazing patterns, providing smooth controlled puddle fills, maintaining adhesion, coating strength and colour durability. The optimal proportion when mixed with medium viscosity acrylic paint is mixing 1 part of the paint with 9 parts of the medium and limiting the layer thickness to the level of product spreadability. Too thick a layer can lead to cracking when drying. The paint and medium should be mixed very carefully, preventing the formation of bubbles.

It is better to let the finished mixture stand for 30 minutes, invisible bubbles, if they have formed, will rise to the surface during this time. For pouring, it is better to use rigid bases, such as a primed canvas on a stretcher, a primed canvas on cardboard, ceramic tiles, a wooden panel primed with acrylic primer. The surface of the base must be cleaned of dust and degreased. When working, it is allowed to use a hair dryer in cold mode. The drying time depends on the thickness of the layer and the size of the work and averages from 24 to 72 hours.

Available Sizes: jar 220 ml, 500 ml, 1000 ml.

Pearl medium, gloss

Soft gel contains fine mica particles that give the surface a soft pearly glow and a glossy sheen. When drying, it forms a strong, smooth, transparent coating. It can be used independently, mixed or applied on top of the paint layer to give the coating a special silver-iridescent pearl effect. When mixed with paint, it increases the surface gloss, colour depth and transparency.

Available Sizes: jar 220 ml, tube 75 ml

PRIMERS. Acrylic primer black and white, matt

It is an elastic, slightly moisture-absorbing, ready-to-use primer that prepares the surface for applying paints and provides excellent adhesion and excellent hiding power. The primer can be applied with a brush, roller, spatula or spray (if necessary, diluting with acrylic thinner to the desired consistency). For acrylic and tempera painting, it is recommended to apply at least 2 layers of primer, the second layer can be applied only after the first one has completely dried. The drying time is on average from 45 minutes (depending on the thickness of the applied layer). The first layer of soil penetrates into the base and prevents the penetration of paint into the base, maintaining colour saturation and reducing the likelihood of peeling of the paint layer.

The second layer smoothes the surface, improves the adhesive properties. Subsequent layers of soil provide an even smoother surface. When preparing the basis for oil painting, it is best to apply 3 layers of primer. Mix gently before use. The ground can be tinted with all the acrylic paints of the Nevskaya Palitra. The tinted primer is applied to the base in a thin layer.

Available Sizes: jar 220 ml, 500 ml, 1000 ml (white only)

VARNISHES

Acrylic varnish gloss / Acrylic varnish matt

Acrylic varnish gives the surface a uniform glossy / matte shine, protects the paint layer from damage and contamination. When drying, it forms a strong, transparent, elastic coating that allows you to remove dirt with a damp cloth (water, light soap solution) without fear of damaging the paint layer. Expands the saturation and depth of colours, protects from damage by ultraviolet radiation, ideal for transportation or exposure. It has excellent self–leveling properties - no brush marks remain when applied. Before applying the varnish, make sure that the paint has completely dried during operation (from 24 hours to two weeks, depending on the thickness of the paint layer), the painting is positioned horizontally, there is no dust and dirt on the surface (if this is not the case, then before applying the varnish, apply the varnish, gently wipe the surface of the painting with a damp, lint-free cloth, let the surface dry). Mix the varnish thoroughly before use. Apply the varnish in long smooth strokes in one direction, covering the entire surface from top to bottom, moving from one side to the other. If you missed some places, leave them until the layer is completely dry and apply the varnish on them together with the application of the next layer. If you see bubbles forming on the surface, slow down the speed of applying the smear and brush over the fragment with the bubbles already formed again with light and smooth movements. Apply up to three thin coats of varnish, keeping at least three hours between layers to dry completely. The varnish should be applied at room temperature to prevent a sharp drop in temperature and humidity in the room during drying. Varnishes can also be used as fixers for collages or as a medium to reduce viscosity, stretch colour and increase the volume of paint.

Available Sizes: Jar 100 ml

Additives

Acrylic retarder, gloss

It has the consistency of a soft gel, used to increase the drying time of acrylic paints. The addition of a 30% retarder increases the drying time of acrylic paint to 5 hours. When mixed with glossy paints, a strong, elastic glossy coating is formed during drying. When mixed with matte acrylic paint, a semi-gloss or satin coating is formed, depending on the proportion of the additive in the paint. At the same time, the colour intensity and the same level of transparency are maintained, and the viscosity level is reduced to the consistency of the moderator, if the paint was originally higher. To get the best result, it is necessary to thoroughly mix the acrylic retarder with the paint using a palette knife. Do not add more than 30% to each colour, as an excessive amount of retarder can lead to a violation of the formation of the acrylic film during drying, as a result of which it will become sticky and will not be able to completely dry and harden. Ideal for dry and hot climates.

Available Sizes: Jar 100 ml

Acrylic diluent, matt

It has the consistency of a soft gel, helps to make acrylic paint more liquid, increase colour stretch, reduce viscosity, while forming a durable, elastic matte coating. Application with transparent and translucent colours helps to create subtle glaze, smooth transitions from colour to colour. Each layer should dry completely before applying the next one. Dries quickly. To slow down the drying process, it can be mixed with a small amount of Acrylic retarder. When used with glossy paints, the degree of gloss decreases. To get an even more liquid consistency, Acrylic diluent can be diluted with water up to 25%., Use distilled water for best results.

Available Sizes: Jar 100 ml

CRM-форма появится здесь
We use cookies
Cookie preferences
Below you may find information about the purposes for which we and our partners use cookies and process data. You can exercise your preferences for processing, and/or see details on our partners' websites.
Analytical cookies Disable all
Functional cookies
Other cookies
Нажимая на кнопку, я принимаю условия соглашения. Learn more about our cookie policy.
I understand Details
Cookies